After the Building Museum I headed over the Newseum. An interesting exhibit on the 1960s. There was also an interesting exhibit on the American Revolution.
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| Jimi Hendrix's suit |
The fact is that the kind of crossover filmgoing that African Americans have had to engage in for practically a century represents a existential bridge too far for white filmgoers who are accustomed to being the cultural standard (and who have the luxury of tuning out on the rare occasion when they’re not). At the Oscars, this assumption has taken a subtle form of condescension in the name of “diversity” that perpetuates black protagonists as the often subservient “other” and not the norm. With a few very welcome exceptions, when the Academy has recognized an African American film or performance, it’s been for a project that was explicitly about racism and race relations and usually a historical period piece, rather than a present-day thriller, love story or drama that happened to feature mostly black people.
| Hornaday taking a bow as she enters the talk. |
Just as culturally fluent filmmakers know that blinkered homogeneity is commercial and artistic death, culturally literate viewers don’t need to see someone who looks exactly like them on screen in order to relate, escape, identify or simply be entertained. Filmgoers who see crossing over as a bridge too far aren’t just depriving themselves of the riches to be discovered on the other side. They risk being left behind when the entire structure comes crashing down.During the Q&A, I asked if she thought going to up to ten nominees for best picture was worked. My point was the reason behind this was this move was touted by the Academy as a way for small films to get nominated along with blockbusters too. I said it doesn't seem to have worked that way. She agreed with me up to this year. When she pointed out that several of the best picture nominees had done very well at the box office. She thought maybe this year will start changing that.
Sports media criticism has become an industry – and some may say, a sport –unto itself, attracting millions daily to the online, broadcast and print discussions about how the games, people and business of sports are reported. Join in a discussion with some of the nation’s top sports media critics, and their critics, in program co-sponsored by the Newseum Institute and the Shirley Povich Center for Sports Journalism at the Philip Merrill College of Journalism at the University of Maryland.
Panelists:
Kevin Blackistone, ESPN, The Washington Post, and NPR
Christine Brennan, USA Today, ABC News, CNN, PBS NewsHour and NPR
Mark Hyman, author, sports journalist and George Washington University professor in sports law and sports media
Dan Steinberg, author, “DC Sports Bog” for The Washington Post
James Brady, new ESPN public editor, digital journalist and former sports and executive editor at WashingtonPost.com
Christy Winters Scott, host and analyst for Comcast SportsNet
Moderators:
George Solomon, director of the Shirley Povich Center for Sports Journalism at the Phllip Merrill College of Journalism, University of Maryland; former assistant managing editor for sports, The Washington Post; and former ESPN Ombudsman
Gene Policinski, Chief Operating Officer, Newseum Institute; and former Managing Editor/Sports, USA Today
Over the span of 10 years, the Washington Nationals have gone from being a struggling team with such players as Brad Wilkerson and Livan Hernandez taking the field at the decrepit RFK Stadium to preseason World Series favorites led by Bryce Harper and Max Scherzer. The key moments of the team’s remarkable transformation are explored in “Nationals at 10: Baseball Makes News,” a small exhibit of 10 artifacts and pieces of baseball history opening Friday on the second floor of the Newseum.
The show, arranged chronologically, is a whistle-stop tour of the Nationals’ greatest moments, and it plays out just like the game footage that screens on a loop above the display. There are lineup cards from the first Nationals game, in Philadelphia (Terrmel who?), and from the last game at RFK Stadium; the jacket and jersey President Obama wore while throwing out the first pitch at Nationals Park; items related to the mega-hyped debuts of Harper and Stephen Strasburg; a champagne bottle popped in the locker room after the team clinched the 2012 NL East title; and the home plate from Jordan Zimmermann’s no-hitter on the final day of the 2014 season.
Baseball purists may roll their eyes at the inclusion of the Presidents Race — images of the racing presidents (minus newcomer Calvin Coolidge) are projected on the floor, and a glass case holds the golden sneakers Teddy Roosevelt wore when he finally won his first race in October 2012.
That nod to Teddy seems to sum up the feel-good vibe of the exhibit. You might think the Nationals have always been perennial postseason favorites. Those difficult early years, with six seasons under the .500 mark, are mostly glossed over. There’s nothing about how relentless preseason hype from Sports Illustrated and other prognosticators winds up crushing fans’ dreams by the time fall rolls around, and although you’ll see the jersey Jayson Werth was wearing when he crushed that homer in Game 4 of the 2012 National League Division Series, there’s no trace of the glove Drew Storen used when the Cardinals scored four runs in the top of the ninth in the following game.
WASHINGTON -- It was an hour after the at-bat of a lifetime, and Jayson Werth still wasn't sure what just happened.
An hour after his epic 13-pitch mano a mano with Cardinals bullpen hulkster Lance Lynn.
An hour after a wave of the bat he'd dreamed about all his life.
An hour after he'd sent a baseball soaring through the pulsating D.C. night -- and into a whole new chapter of Washington baseball folklore.
An hour after as euphoric a trip around the bases as any man has ever made in his town.
And yet, more than anything, you know what Jayson Werth needed to complete his classic journey? A video machine. What else? Had to find the nearest video machine -- because whatever had just gone down in the turbocharged ballpark he plays in, it had all zipped by him way too fast for one mere human to comprehend.
"Really, I need to go back and watch the whole thing, watch the whole at-bat, and see exactly what went on," Werth was saying, an hour after the game-ending, season-saving, we'll-see-you-tomorrow-night home run that made the giant right-field scoreboard flash the biggest news in Washington on a memorable Thursday evening: Nationals 2, Cardinals 1. "I don't even remember it. It's almost like I blacked out. It was like a Will Ferrell moment."
In partnership with the Washington Nationals, the Newseum presents “Nationals at 10: Baseball Makes News,” a new exhibit spotlighting 10 memorable media moments of the Nationals’ first decade in the nation’s capital.I went this past weekend and here are a few pictures from it. Needless to say they'll be a couple more posts about this.
“Nationals at 10” will bring back memories of some of the most unforgettable moments in Nationals history, with artifacts including the bat and ball from Ryan Zimmerman’s walk-off home run in the inaugural game at Nationals Park in 2008, the pitching rubber and rosin bag used by Stephen Strasburg during his record-breaking 14-strikeout major league debut in 2010, the jersey worn by 19-year-old Bryce Harper in 2012 in his first major league game and the home plate used during Jordan Zimmermann’s no-hitter in the last game of the 2014 regular season.
The exhibit explores how the press covers the team’s newsworthy events on and off the field, from Barack Obama’s first pitch of the 2010 season to presidential mascot Teddy Roosevelt’s long-awaited victory in the popular Presidents’ Race at Nationals Park.
“Nationals at 10” will be on display through Nov. 29, 2015.
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